Sally Lynn MacDonald

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You are here: Home / Copic / Week 2b: The Shadow Knows – Copic Grays and Inktense

Week 2b: The Shadow Knows – Copic Grays and Inktense

March 5, 2014 by admin Leave a Comment

This week’s technique focuses on a foolproof method of coloring images that have realistic shadows and bold, intense color.  I’m breaking this post into two parts.  You are viewing the second part.  Here is a link to the first.

IMG_4973

Now that our shading work is done we can concentrate on coloring the image.  I am using a foolproof method of coloring known as Inktense pencils.  Long have I struggled with watercoloring.  Never enough control of the medium and I felt that it was too BLAH BLAH BLAH or too muddy and defintely not bold enough.  So hard to keep it from flowing into areas I didn’t want it to; especially messing up prior good work.

This is where Inktense products EXCEL.  You can use them wet or dry and wet on wet – but the magic is that once you’ve dried an area – it’s done.  It won’t rework when you layer another color over the top.  It will show up translucent and beautiful underneath – but it won’t MOVE.  So you can start with your lightest color and work up from there.  And the control!  I’m such a control freak.

I have the set of 36 Inktense Pencils, so I will list the colors I pulled out of the set for this project.  You can always buy colors open stock, or in a set.

So to get started, I’m using two colors:  the lighter color, Red Violet, I scribbled onto the paper lightly on the lower third of the petal.  The darker color, Mauve, is on the upper two-thirds.

IMG_4975

Using a Niji waterbrush, or a damp paint brush, pull the Red Violet inwards and slightly feather it in at the edges leading into the darker Mauve.  Let dry, or zap with your heat embossing gun.  Nobody wants to wait around for paint to dry.  Or in this case, ink.

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Now pull the Mauve color with your waterbrush, downward from the inside of the petal, just feathering over the lighter color.  Notice how the Copic marker shadow lines stay in place, and in fact become more pronounced as the watercolor paper is activated with the water and ink?  And yet the Copic ink WILL NOT MOVE, so all your hard won shading work will stay intact.

IMG_4977

Now I’ll go back with the lighter Red Violet pencil on the curling underside of the petal.

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And pull this color upwards, lightly feathering into the white area.

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And that is it.  Lots of depth and dimension.  Like it?  Repeat on all the other petals, heating in-between color applications to ‘freeze’ your work.

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At the end, I wanted to have a central ‘vein’ of color on each petal, so I put a thin line of Violet down the center of each and went over it with the waterbrush to blend it out.

The leaf and stem used: Felt Green and Leaf Green, in that order.  The center of the flower is Sherbet Lemon and Tan, in that order.

Feel free to click on any of the images for a larger view of the picture.

So now that you’ve seen this technique, let’s get over it!

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Filed Under: Copic, Inktense Pencils, Sketching, Stamping, Technique Hump

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About Sally Lynn MacDonald

Sally Lynn is an Anarchivist® that often mixes her love of creating and teaching art with her high-tech side – blending a love of handmade art with hybrid-digital media in what she playfully calls her ‘studio lab’. Every now and then her large-format printer is subjected to printing on a surface that definitely is not listed in the owners’ manual.

She is a maven for studio organization, using her abilities to use spreadsheets and databases to bring order from chaos. “It’s marvelous when the right and left brain actually work together in the studio!” Read More…

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Good night! . #sunset #nofilter #nofilternature # Good night!

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On location (my porch). Taking advantage of good w On location (my porch). Taking advantage of good weather to do some sketch studies of our newest additions while the light is good.
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I finished using the @goldenpaints Modern #ColorTh I finished using the @goldenpaints Modern #ColorTheory Mixing set to create all of the mixtures on the included poster. Only the top row are included in the set. The remaining colors are mixed, and tinted 10:1; with those that are intended to emulate tube colors, painted out along the bottom third with their counterparts.

P.S. If you look for this set in the store, make sure to pick up the updated set, which replaces the Hansa Yellows with the new Benzimidazolone Yellows.

Included in the set: Benzimidazolone Yellow Light, Benzimidazolone Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White.
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Amazing evocative #portraiture artwork by @calidag Amazing evocative #portraiture artwork by @calidagarciarawles . In 'The Space in Which We Travel' (2019), two girls in white dresses grasp each other’s hands, creating the impression of a double helix. “If they opened their eyes,” Rawles said, “they would see each other.” Water has memory. Lovely!
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from - https://www.artnews.com/art-news/artists/calida-rawles-water-paintings-lehmann-maupin-1234584059/
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Spending a rainy afternoon recreating the @goldenp Spending a rainy afternoon recreating the @goldenpaints Modern Color Theory Mixing Chart. I can't wait to get to the point where I can host in person classes again...but we are having a great time online! #thecolorcollab #linkinprofile
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Just finished this little painting in my #sketchbo Just finished this little painting in my #sketchbook over a light pickup #monoprint for the background. I was reading a book on the porch this afternoon during a light rain, and dozed off; only to be woken up by a very annoying little egret sitting atop a palm tree across from me. His antics were so funny that I called my daughter out to hear him. And so I painted it in my sketchbook for a little memory. Can you find the egret?
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Working on the courtyard patio. The weather is so Working on the courtyard patio. The weather is so lovely today, and so I dug out some chairs and a table from the garage and our new @abba_patio 7x9 #cantileverumbrella to create a seating area to enjoy. These days staying at home is all about #outdoorliving and creating spaces to nest in, work on the laptop, read a book, sketch some plants or enjoy a cocktail as a family.
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the color collab. Episode 1: RECAP and links in bi the color collab. Episode 1: RECAP and links in bio, including link to donna downey's Patreon for additional documents shared during our broadcast and a list of primaries to work with. Next Episode Feb. 17 at noon EST
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There is something very cathartic, very centering There is something very cathartic, very centering about hanging artwork on the wall. When a piece speaks to you and you choose to put it in your space - in your life... elevate that experience by purchasing that piece from an artist. NOT from a HomeGoods, but original artwork from a person. In this case Ben Dodge. I saw his work in Pressing Matters magazine and I had to have it.
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Sister Corita Kent Rule No 6 by @bendodge which I saw in issue 11 of @pressingmattersmag and tracked down the artist to buy his work. 🙂
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Which led me down the rabbit hole to learn about both artists and printmaker Sister Corita Kent who inspired the piece.
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